Examining a spooky composition technique used in Super Mario World, how it relates to metal riffs and how to make your audience deeply, deeply unsettled.
Here, have a tab.
Today I’d like to introduce you to my favourite chord of all time. Behold:
In my mind this chord could actually be any one of 3, depending on which note you decide to be the root:
- If the deepest pitch is the root then the middle note is it’s 5th, and the higher note is a 2. That makes the chord a Sus2.
- If the middle note is the root, that makes the deeper note a 4th; while the higher note is a 5th. So this chord is an Inverted Sus4.
- If the highest note is the root, then the middle pitch is a 4th, while the lowest pitch is a m7…. Root, 4th, m7th…. I don’t think there’s a name for that chord to be honest…
EDIT: Having spoken with a musical colleague we came to the conclusion that, you could refer to this chord as Inverted Stacked Fourths. Maybe read-up on Quartal Harmony for more info.
Files & Downloads
- Guitar tab for the example song’s rhythm guitar: Stacked 5ths – Guitar Tab
In this lesson we’ll be applying the principles of chord inversion to a rock situation. As you should know already, it’s unlikely that you’ll be playing open chords or anything much bigger than powerchords when using a heavily distorted guitar sound. This doesn’t mean that we have to forget about notes other than Roots and 5ths, it just means that we have to be a little more creative in their application.
If you’re not familiar with the concept of a powerchord you’ll want to do something about that pretty quickly… Be warned, if you can’t remember what a powerchord is, you probably shouldn’t be here just yet.
Now, we know that powerchords are prevalent in pop, rock, blues and metal, but what happens when you flip those chords around? We’ll look at this idea in 2 different ways. First off, let’s take our basic power chord rhythm.
Now were going to take the root note and stick it above the 5th. Because you’ll now be using your first and second fingers to play these notes, you should find it easier to apply a little vibrato to them as well. Remember, the notes you are using haven’t changed it’s just their order.
These kind of inverted powerchord double-stop things can be pretty nifty in-between the regular powerchords to add a little variation, or they could be played by a lead guitar to add a bit more depth and character to what the rhythm guitar is doing. Try playing some of your own riffs using these double-stops instead of powerchords.
The last thing I’m going to leave you with in this lesson is a personal favourite of mine. It can have a pretty massive effect on the sound of a chord, but the theory behind it is nothing revolutionary, (and doesn’t get much more complex than what you’ve already learnt today). We’re only able to apply this to powerchords rooted on the A string, (or higher, but you’ll have to work those out for yourselves). We’ll go back to the first bar of today’s exercises but this time we’re adding an additional 5th below the root. The bar after that is what happens if you want to play an additional 8ve of the root note. They would be played like this:
Have fun with those, I’m especially fond of them because they can make anything sound instantly really heavy, (in my opinion much heavier than down-tuning alone will allow).